"Eliot's Waste Land"

Thomas Sterns Eliot, better cheatn as T. S. Eliot, is considered to be i of the closely authoritativeistic American poets of this time. However, his life was not as triumphal as the rest of the country during this time. The pressures of uncongenial work, the aura of his central office life and the need to hide his sorrowfulness brought on a nervous breakdown. In 1922, while recovering in a Swiss spa, Eliot began to write one of his weeklong and most locomote poems, The Waste Land. The Waste Land comes in five parts, scratch with The Burial of the Dead, a gens interpreted from the Anglican funeral ceremony. The resourcefulness of part one evokes a person, a civilization, numbed, distressed. Coherence and pith have gone out of the world, as a portentous voice with an Old Testament sound announces: Son of man . . .you know only / a fate of broken images, where the fair weather beats, / and the dead tree gives no shelter (l. 20-23). To convey a vague menace, and recr eate the furor for spiritualism, Eliot introduces Madame Sosostris, famous clairvoyante, with her wicked aim of Tarot cards (l. 43-46). Eliot calls spokesperson Two A gritty of Chess, a metaphor for intimate maneuvering. Eliot gives us a pampered womanhood, immersed in anything that could arouse the senses.

This passage shifts abruptly into Eliots forte, a dramatic parley giving us the real measure of the jaded woman: My nerves are pernicious to-night. Yes, bad. Stay with me. Speak to me. Why do you never chatter? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think. (Eliot l. 111-114) T his painful vision of humanity move up in l! ust continues in Part Three, The awaken Sermon, which takes its name from the preachment of... If you want to get a wide-eyed essay, decree it on our website: BestEssayCheap.com

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